Sometimes —
In a world full of sirens and
clatter,
a perfectly timed silence,
that pause in the chatter,
speak louder
than those injected sounds of
violence.
Sometimes —
In a world full of sirens and
clatter,
a perfectly timed silence,
that pause in the chatter,
speak louder
than those injected sounds of
violence.
I love repetition; I can really get into it.
I love repetition; I can really get into it.
I love repetition; I can rarely get out of it.
Repeat…

Earlier, you found yourself at an edge of woodland; you stood at its beginning or its end, you couldn’t begin to tell.
Impatiently, the trees blurred together, all around you, trees branches holding others that spun ever wilder, entwining into an eye-shattering carousel.
In the loop, you do not know or fear the time it takes for the motion to slow, winding down, tired, the branches let go, clumsily flicking leaves at each other, like young children; engaged in dance, then distracted, but always pure and in play.
You, look around you with your peripheral vision desensitised, you were somewhere else, just left of wherever’s’ centre; you could breathe deeply, consistently as one; with a carpet of mimicking leaves.
Now, feeling so spongy underfoot, you’re subtly falling and rising, falling and rising in exact time with your steady pulse; you were now at the heart of everything.
I cannot speak in this room, my tongue is sewn to my inner mouth like an old rolled up, tatty, old gym mat, left tied in a locked and forgotten storage room. I am now reduced to a baby regarding my quality of speech, no-one, not even myself will understand my dialect now.
Subsequently, my eyes are like CCTV cameras, tirelessly scanning people I will never know. Such resources require feeding before I again starve myself from predictable individual markets of specialised code. Right now I do not want to buy into anything, other than some much need for some personal inanimate objects, or Mother Nature’s pleasantries.
Then, surprisingly, a section of room clears, I notice someone familiar to me; they sit directly opposite as if waiting in a crowded underground station for a train that will never arrive.
Immediately, faces and limbs move blurrily around them like a meaty aura, descaling time, they somehow cut a somewhat dominant figure with a slouching posture; sitting in an otherwise frenetic sequence of scribbled picture flick images.
All the while, a hideous wallpaper pastes the background; unnaturally large and repetitive design of supposedly beautiful coloured flowers. Seemingly this Rorschach of entangled petals also emits a pungent scent from hells garden, choking our airways ever so slowly. Or, a ladies offensive perfume that loiters excessively as she struts passed on death-defying stilts with a cocktail.
Slowly the wallpapers flowers grow, entwine and weave, swallowing all that stands near it, suffocating the lost and forgotten drones that are top-heavy while on the edge of walls made from verbalised, exhaled breath; an endless wordy fever swells the room into sickness.
Then a sudden refreshingly pure breeze blows playfully, it caresses my moist cheek, my unacquainted companion acknowledges the very same, welcomed oxygen. As I raise my right hand to my drying face, I notice at precisely the same moment they do the very same, it is as unnerving as it is welcoming.
It is then we leave the room together.
The half-life – existing in Ordinary Street. In a home that’s regressing, decaying at your own apprehensive feet. The curtains, undrawn, mournful in unique shades of burnt. I continuously prolong to stand; outside, be curious, where nothing can be learnt.
All that remains is allergic and weathered, bleached by an encompassing light, a colourless nothing fading from every passers sight. The welcome gate has long since gone, dissolved by powers of apathy, crumbling everything, no longer strong.
Carried on a gust, is a child’s drawing of their favourite haunted house, daring you to walk up the path like that famous miming mouse. Someone is sealed inside their novelty box. Merely do they exist, inert, in one of their cellblocks.
This was this once the warmest family home. Mum and dad, the kids, each sitting on their styled floral throne, around the television like decent and normal folk, laughing like gas leaks at dad’s latest bad joke.
If you care too much now, then you are very strange. You can’t spare the spare time and so creeps something random, unimportant, and you’ll be fine, so walk on regardless in your very British sunshine.
Dry twinkling grains
Soft sucking imprints
Moulding
Swallowing spaces
Between your toes
Temporary still
Of someone’s moment
Until erased
By unempathetic sea
A liquid giant
Sand pushing machine
Of Its own arcade
No coin-op
The day is the same as the night,
Except at night there’s less natural light.
And so the night is the same as the day,
But the day lends itself away.
Then if the day is the same as the night,
The night hides the obvious from sight.
Only the moon outstays its welcome,
Hanging there as a forgotten kite.
Not can be said of the moon and the sun,
The moon controls the night and tides for fun.
The sun is the day and directly cannot be seen,
Improves your mood and raises self-esteem.
Without these forces then where would you be?
Are you a tree hugger or drawn to the sea?
Do you have a connection? Receive power from the moon?
Will you run to the sun, be a shadow by noon?
When thoughts are all you think of,
and memories are all you make,
and when your dreams are all you care for,
what are you doing now? For goodness sake!
So we decided to drive up the waterfall, but the waterfall was redundant and
dry. While travelling vertically; the impossible was performed with ease, I
couldn’t help but wear a fixed smile until arriving at its crest.
Then a tarn with tranquil water, slick and so pure with
elaborately carved structures floating: some were peacefully rotating.
I noticed they were broken, perhaps abandoned before completion. It was at
that moment I had forgotten why we… but more now I, was there at all.
Somehow without trying, I walked forwards, sure-footed: leaving behind what
had vanished behind me.
Now everything was much closer, and silent, with timely rushes of air, pressed
intermittently at my cheek; forced gently by numerous random walls from
what were now replica houses made from wood.
Clocklike and clockwise, suddenly in the far distance I see faceless builders as
undisturbed artists that do not seem to care, and the placid water
nearby does not respond to the continuous stirring upon it. The half buildings
have reversed the effects of time, and suddenly I must go… where? I do not
know.